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When Miranda confesses her fears and confusion, the chords buffeting her words are wistful and plangent.
The narrator then confesses her confusion by admitting to an "underactive thyroid".
The baffled mother of a child prodigy confesses her confusion to Solomon.
Scarcely able to control herself upon Tichon's return, Katya publicly confesses her adultery.
She confesses her deepest secrets, about her sexual desires, her longing for romantic love, her deceit, her lies.
But nowadays there she is, seated across from the spiritualist Eckhart Tolle as she confesses her ego-driven shame.
Riccardo arrives, and Amelia, unable to resist him, confesses her love (Duet: "Non sai tu che se l'anima mia").
Eventually the two become friends, and, years later, Madeleine confesses her love yet advises him to leave her.
And she confesses her suffering in a voice that's never at peace.
She confesses her crime to her prostitute friend, who embraces her and tells her that's fine.
On another visit she confesses her lack of confidence about finding her prey.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com