Sentence examples for conductor sets from inspiring English sources

As contract talks between producers and musicians grew increasingly tense, the Broadway producers said the synthesized digital music, for which the show's conductor sets the tempo, was a last resort they had been forced to consider.

The conductor sets the pace".

In "Das Sein und das Nichts" ("Being and Nothingness"), set to Mr. Furrer's "Ein Lied, das Über das Ende des Liedes Hinaus ein Anderes Ende Finden Wollte" ("A Song That Aimed to Find Another Ending Beyond the End of the Song"), Ms. Minck shows Mr. Furrer as a conductor, set against a scrolling musical score.

The conductor set out busily picking paint chips off every ancient dent of their tinny old vehicle, the driver whistled as we inspected the long black scratch and they insisted that the only way to fix it would be to replace the entire side of the van, for 2,500 yuan, about $300.

Mitisek's creative energies are present everywhere else as stage director, set designer and conductor.

Carlo Rizzi is the conductor; the sets and costumes are by Mr. Copley.

Acting as his own conductor, he sets out to redefine it as a school of chaste refinement.

In any city, it's rare to find a conductor who sets the right tempo so consistently, in scene after scene, that you stop noticing he is there.

DON GIOVANNI Opera in two acts by Wolfgang Amadeus Mozart, libretto by Lorenzo da Ponte; conductor, James Levine; sets by Michael Yeargan; costumes by Christine Rabot-Pinson; lighting by Jean Kalman; choreography by Blanca Li.

He said that he was embarrassed at receiving praise that should go to his team-mates, but as the conductor, he sets the tone and after a few false notes at the start, Toulon were in chorus.

Both directed by Tony Taccone; production design by Maurice Sendak with Kris Stone; "Brundibar" music director and conductor, Greg Anthony; sets for both productions by Ms. Stone; costumes by Robin I. Shane; lighting by Donald Holder; sound by Rob Milburn and Michael Bodeen; movement director, Kimi Okada; associate movement director, Marybeth Cavanaugh; production stage manager, Michael Suenkel.