"conductor" and "about" do not form a complete phrase on their own in written English.
It is possible that "conductor" may be used in a sentence with "about" in a different context, such as "The conductor became emotional when talking about his favorite piece of music." However, "conductor about" as a standalone phrase is not grammatically or semantically correct.
There is Jones, again and again, with a sad expression of poorly suppressed panic — like that of a train conductor about to explain to passengers that they won't be arriving at Grand Central on time, because the terminal has been squashed by giant lizards.
Not a word from driver or conductor about the delay but I have a seat and we are moving.
A viola player noticed the quality of her playing and told his brother, a conductor, about her.
Events TODAY, 7 p.m. www.bn.com Chat with Daniel Barenboim, the pianist and conductor, about his "Brazilian Rhapsody".
The greatest dramatic interest in her ice-cold delivery, however, lay in seeing who would win her contests with the conductor about tempos.
Full of catty, unsourced quotations, it cites "one American conductor" about Mr. Gergiev: "His only problem is that he's a lousy conductor.
Its 400 passengers had to contend with teasing announcements from conductors about a rescue train that never arrived and a total lack of bathroom access.
Movies like these: Tom Hanks stars as an efficiency expert who concludes that 75percentt of the delays on New Jersey Transit trains are caused by malfunctioning doors and door-warning lights, and that the resulting intercom chatter among conductors about end-door bypasses drives passengers buggy.
At earlier lectures by library fellows -- one about the letters of Arturo Toscanini, the Italian conductor, another about the children's books of William Godwin, an anarchist political philosopher -- there had been excited chatter and raised hands.
Read an interview with conductor Robert Ziegler about it here.
The program also offered commentary by an eminent conductor talking about the differences between Apollonian and Dionysian approaches to art.
