Sentence examples for concluding track from inspiring English sources
On "Legacy," the album's concluding track, the voice of Jay-Z's daughter Blue Ivy floats in: "Daddy, what's a will?" she asks.
Until the album's concluding track, the pianist is merely a light and competent mix of Red Garland and Bill Evans, but "Cast Your Fate to the Wind" feels like the start of an optimistic new era.
About 7 minutes into the 16-minute-long concluding track of "Where You Go I Go Too" (Feedelity/Smalltown Supersound), the outstanding first proper solo album by the Norwegian electro-disco producer Lindstrom, a cooling blast of soul-jazz takes over the song as if the radio station had just been abruptly switched.
From the heart-wrenching "Honest," which dropped last week, that speaks to anyone who's not come to terms with the end of a relationship, to the powerfully re-invigorating concluding track, "Baptize".
A review from the Hamilton Spectator noted that the album's concluding tracks "If You Believe" and "The Wonderful Future" demonstrated a particular facility for mixing sonic textures and that there were "actually moments when vocalist Raine Maida varies from his impersonation of a singing head cold".
He commented that much like every song on My Beautiful Dark Twisted Fantasy, the song "contains an underscore as ambitious as the beats upfront", concluding that tracks "Hell of a Life" and "So Appalled" alone "carry enough auditory sugar to make listening to this album on any regular sort of listening device almost a fool's errand".
He concludes the track, firmly but not angrily, by singing, "I don't wanna fight you".
Based on the results of the analytical numerical experimental analysis, it can be concluded that track wheels failures are predominantly caused by the 'design-in' and 'manufacturing-in' defects.
The verse "my words are my armor and you're about to meet your karma" concludes the track and addresses what M.I.A. called "a fuck you" to the haters and a "thank you" to the supporters.
The thunderous piano chord that concludes the track and the album was produced by recording Lennon, Starr, McCartney and Evans simultaneously sounding an E major chord on three separate pianos; Martin then augmented the sound with a harmonium.
On the one hand, the track speaks of bystander guilt, and of her discomfort with the imperialist crusade (notice the oil-black pressure drop the track concludes with), whilst the track's celestial aura serves to further mythologize the mother of all American icons: its theme song.
