Exact(1)
does not, as some mistakenly assume, replicate the concerts note for note; instead, in the spirit of their progenitors, and in the interest of their own enjoyment, and of performative plausibility, they improvise, within the context of the era they are drawing from.
Similar(55)
In addition there will be two Sunday concerts noted below.
There's the actual reporting to do: concerts, notes, interviews, observations, images, poetry, hard facts (such as they are) and criticism (starting with even a soupçon of a gut reaction).
Suggestions of mine are recycled (without attribution) in concert notes.
In concert, notes of Beatle-dom floated around.
An April concert, "Notes From the Philippines," offers a Mendelssohn overture; Dvorak's cello concerto, featuring the soloist David Requiro, a Filipino-American who was raised in Oakland; and a new composition by Art Khu, a San Francisco jazz pianist and arranger.
A review of a 1998 Orpheus concert noted that the first cellist was in fact conducting throughout a difficult work "with his head," not unlike the concertmaster-led bands that date back to Haydn.
A 1977 review of a Motörhead concert noted how "excessive volume in particular figured into the band's impact".
Gina Vivinetto from St .Petersburg Times, while reviewing the concert, noted that fans cheered with the performance.
Holden, reviewing this concert, noted, "Even while swiveling across the stage of Avery Fisher Hall like a voluptuous Botticelli Venus in Bob Mackie spangles... she radiated a preternatural innocence..
A review in The Chicago Reader of the same concert noted that "The Amps play with a low-key, hangout sound".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com