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Several possible polygeneration has been conceptualized, performance assessed theoretically as available in literature.
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While audience members drank and made merry, the stage goings on were almost uniformly serious and severe, with many short pieces seeming more like repetitive movement studies than fully conceptualized performances.
Addressing the BPS trade-off also requires conceptualizing performance as a multi-dimensional construct and resolving conflicts among performance dimensions.
The model hypothesizes the mediating effect of two proximal socialization variables, social identification and social integration, between FOSS newcomer socialization factors and contributor performance (conceptualized as task performance and community citizenship behaviors).
I ended up winning and realized I had so much fun conceptualizing a performance that I decided to do it a few more times.
To develop team training programs for the ICU, it is necessary to consider the extent to which the models used to conceptualize team performance in aviation can be applied in intensive care medicine.
Our analysis was oriented to a framework [ 29] that conceptualized primary care performance as having two components: health care service delivery (measured by scales for accessibility, comprehensiveness, and continuity) and technical quality of care (measured by scales for health promotion, disease prevention and chronic disease management (CDM)).
This article conceptualizes Information Technology (IT) performance architecture with dynamic performance process and performance structure, and try to settle the IT productivity paradox from critical realism.
In the literature, the role of LC on the relationship between KMC and innovation performance is conceptualized as LC facilitates KMC resulting to higher innovation performance (Argote et al. 2003; King 2009; Wu and Chen 2014).
For example, HS algorithms can be conceptualized from a musical performance process and used to achieve better harmony; such optimization algorithms seek a near global optimum determined by the value of an objective function, providing a more robust determination of musical performance than can be achieved through typical aesthetic estimation.
We observed wide differentials in the existing models and approaches regarding how performance is conceptualized and subsequently operationalized.
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