Sentence examples for conceptual modes from inspiring English sources
There's different conceptual modes of thinking.
The pornographic images aren't perceived easily because in the work, Payne folds the images into abstract geometric patterns extending his work's conversation to include minimalism and other conceptual modes of thinking about sexual politics.
While debate continues on the appropriate relationship between empirical and conceptual modes of inquiry, there seems to be agreement that empirical findings can and do contribute to the discourse on normative ethics.
Although Mr. Minkkinen's work is inevitably seen as part of the conceptual mode of body photography practiced by artists like Lucas Samaras, Bruce Nauman, John Coplans and Vito Acconci, it has a wizardry that defies categorization.
Meg Pierce's intricate schemes based on old astronomy charts nicely represent a more conceptual mode, while Marion Klein's small, richly colored oil is a good example of a boldly synthesized landscape.
The conceptual mode of appearance of ultimate truth is nondeceptive and consistent with its mode of existence, while that of conceptual mode of conventional truth is deceptive and inconsistent with its mode of existence.
Combined with the conceptual mode of "driving force – pressure – state – response – control" (D PSR C), the ICC reveals the loading capacity between human activity and the ecosystem.
Whereas the former corresponds to a narrative-based, conceptual mode of processing self-material (e.g., "Why do I feel this way" or "What does this mean?"), the latter corresponds to a sensory-based, mindful mode of processing characterised by focus on mental or bodily experience itself in its entirety (e.g., "How does this feel, right now?").
Vinner is careful to distinguish between pseudo-conceptual modes of thinking and misconceptions, noting that the latter have definite cognitive involvement while the former are characterized by the lack of cognitive involvement.
220 34) Vico was the first to recognise the aesthetic as a self-sufficient and non-conceptual mode of knowledge, and famously he held that all language is substantially poetry.
