The phrase 'conceptual experience' is correct and usable in written English.
It is used to refer to an experience or understanding that is based in abstract thought and ideas rather than physical experience. For example, "His conceptual experience of the novel gave him a unique perspective on the story."
Mr. Bochner's new paintings give fresh immediacy to his enduring preoccupation with the tension between perceptual and conceptual experience.
Through Dec. 20 Mel Bochner's new paintings give fresh immediacy to his enduring fascination with the tension between perceptual and conceptual experience.
Locke's Essay was a dogged attempt to produce the total world of human conceptual experience from a set of elementary sensory building blocks, moving always from sensation toward thought and from the simple to the complex.
There is surprisingly little focus by professionals on the direct relationship or interface between mainstream family members and disabled family members, in an emotional sense and experiential sense, and even less on ensuring that disabled family members have a rich emotional and conceptual experience of the world.
The convergence between the two delivered a conceptual experience, thanks, in no small part, to an audiovisual aesthetic render generated by the use of both digital and analog technologies, and also to a real time looping approach allowing audiences to feel the nonphysical natural forces surrounding us.
● As a multi-dimensional and conceptual experience, chronic pain requires a holistic approach to assessment.
Amidst this background, though, there are bright spots of the art world dragging the institutions kicking and screaming toward diversity, inclusion and an elevated consciousness that also crafts memorable visual and conceptual experiences.
Perhaps the most influential version of this claim came in Thomas Kuhn's suggestion that, "what a man sees depends both upon what he looks at and also upon what his previous visual-conceptual experience has taught him to see" (1962/1970, 113), a suggestion with some foundation in "New Look " psychology (e.g. Briner, Postman, and Rodrigues 1951).
It allows us to make sense of a complex world by letting us conceive of the world in terms structured according to pre-conceptual experiences derived from our having bodies that stand erect, move through space, feel sensation, and are separate from each other (14 7; 56).
He recalls the arrival of the Soho Brasserie with its "cool, easy-going vibe we'd all enjoyed in Paris or Barcelona, but thought was impossible to replicate in stuffy old London"; the rise of the conceptual food experience as peddled by the Rainforest Café in the Trocadero, replete with simian sound effects; and the now omnipresent sushi bars.
Though different from and at least as a purely visual, conceptual art/film experience— perhaps even superior to Marclay's video, the two works share an uncannily similar structure.
