Sentence examples for concepts of character from inspiring English sources
The HTML concepts of character references and entity references (entity names) are defined in the document "Special Characters" in HTML.
The book deals with the narratological concepts of character and characterization and explores the textual devices used for purposes of characterization by ancient Greek authors spanning a large historical period (from Homer to Heliodorus) and a variety of literary genres (epic, elegy, historiography, choral lyric, drama, oratory, philosophy, biography, and novel).
The concepts of character and implicit equilibrium we propose here based on this new rationality assumption can better explain people's actual behaviors labeled as irrational by conventional game theory in the experiments of some paradigmatic games.
In "The Concept of Character in Fiction," an essay from 1970, he discussed a figure in Henry James's novel "The Awkward Age".
Matthew Taylor, Blair's former head of strategy, now head of the RSA, made the excellent point that "the reason we find the concept of character difficult is because of class conflict in British society.
Larrain's film is a delicate balancing act and, along with screenwriter Guillermo Calderón, he avoids both smugness and a sense of artificiality with a playful tone and a sharp, meta take on the concept of character and story.
Right from the beginning of Mr. Hodges's career, the defining quality of his work has been its unearthly remoteness, a deep-space chill that seems to pervade both his imagery and his concept of character.
In "The Concept of Character in Fiction," an essay from 1970, he discussed a figure in Henry James's novel "The Awkward Age". "Now the question is: what is Mr. Cashmore?" Gass wrote.
The "ethos," which later critics, including Aristotle (Poetics, ch. 6), valued so highly in his work, indicates a concept of character as an innate disposition, governing the actions and manifest in a person's outward bearing.
The two are locked in "a fabulous chase" that's part myth and part fact, given that the pursuer doesn't actually exist... Larrain's film is a delicate balancing act and, along with screenwriter Guillermo Calderón, he avoids both smugness and a sense of artificiality with a playful tone and a sharp, meta take on the concept of character and story.
