Sentence examples for conceptions of the human from inspiring English sources

In an effort to overcome this opposition, a model was proposed seeking to articulate the individual and cultural conceptions of the human values through a societal approach.

If one asks why we should think humans possess such worth, Wolterstorff argues that the belief that humans have this quality was not only historically produced by Jewish and Christian conceptions of the human person, but even now cannot be defended apart from such a conception.

Thus, even at his most conservative moments as a proponent of Socialist Realism, Lukács is motivated by a keen intuition concerning the tragic consequences of this aspect of modern culture and, as the constant revisions of his position show, by a sensitivity to the inappropriateness of all conceptions of the human condition which do not appropriately deal with this problem.

His research focuses on all those aspects of contemporary science and technologythat challenge established conceptions of the human, with a special focus on brain science, microbiome research, and artificial intelligence.

How does gender factor into our conception of the human?" After all, in Genesis 1 26, God created ha-adam, a nonsexual term that means "human being".

Aristotle approves of the Socratic search for definitions but criticizes Socrates for an overintellectualized conception of the human psyche.

This will require governments to invite homeless people back into their conception of the human family, to recognise their inherent dignity and their equal and inalienable rights.

In particular, he claimed that environmental degradation was likely due to a conception of the human self that had been ill defined in the past.

And a heartbreakingly luminous portrait of Mary praying by Jean Bourdichon from about 1480 looks forward to the Renaissance and its happily less punitive conception of the human condition.

In the second quarter of the century acquaintance with contemporary Byzantine painting probably via illuminated manuscripts and recent developments on the Continent led English artists to a more organic, if expressively attenuated, conception of the human body.

Rājasthānī painting differs from the Mughal painting of the imperial ateliers at Delhi and the provincial courts in its bolder use of colour, an abstract and conventionalized conception of the human figure, and an ornamental treatment of landscape.