Sentence examples for conception that makes from inspiring English sources

This is a compact, though slightly undernourished conception that makes a little sense, though it seems to be built around a scene that never takes place -- dramatic material meant to clear up some of his mystery.

The order of things will now be understood in terms of laws of nature a conception that makes its first appearance in the seventeenth century—and these laws will take the place of those inherent tendencies within things that strive for their perfection.

Rather, it is individual moments of extraordinary conception that make the new offering incredible as a whole.

Taylor 1982; Steiner 1994; Carter and Kramer 2008) to distinguish it from those 'impure' negative conceptions that make at least minimal references to the agent's beliefs, desires or values.

Secondly, to explain how certain stabilities take precedence over others, Rosenberger (2009) introduces the concept of a relational strategy, which he defines as "the particular configuration of bodily habits, intentions, and conceptions that make it possible for a person to take up a particular stable relation" (p. 176).

At that time, the holistic notion of representation characteristic of the Middle Ages was transformed into a more individualistic conception, one that made the individual the critical unit to be counted.

These persons should have the benefit of an exercise of discretion by the Attorney General, freed from any conception that Congress had made them in effect unbailable.

On the assumption that integrity is a cluster concept of some kind, the question turns on whether anything ties together the various traits associated with integrity in a coherent overarching conception of integrity, one that makes it a clear virtue.

In contrast, Plumwood defends a conception of the self that makes humans both continuous with and distinct from nature, both individual selves (who are different from nature) and ecological selves (who are a part of nature).

The hope was to develop a conception of film that made it clear that it differed in significant ways from the other fine arts.

At the root of their work was a sweeping conception of human history that made them "a kind of cyber-age version of Marx," author Barbara Ehrenreich wrote in a review for the Times.