Sentence examples for conception of sounds from inspiring English sources

Exact(1)

He notes that the wave conception of sounds is not the only possible interpretation of Aristotle's remarks about sounds in On the Soul.

Similar(58)

The players, of necessity, were positioned across the entire span of the stage, emphasizing the spatial element of Schoenberg's conception of sound: themes and motifs are batted from one section of the orchestra to another, like a musical volleyball game.

In this paper, we first present a design method for acoustical topology optimization by considering human's subjective conception of sound.

Perfection has always held a kind of promise, but this conception of it sounds less like a promise than a threat.

If the question about the relation between revelation and philosophy pertains to a decision for faith or philosophy, Strauss's conception of revelation sounds very much like Kierkegaard's conception according to which a leap of faith defines revelation.

Shaw's conception of choral sound was large and lush, and the repertory was often (though not always) Romantic, with choirs of 200 singers, many of them choral conductors who attended the sessions to learn how Shaw did it.

Though The Coming of Age pays closer attention to the diversity behind the unifying myths and works with a somewhat different conception of otherness, it sounds remarkably similar to The Second Sex as it traces the sources of the marginal status of the aged.

Smith, a long-time friend of Brubeck's since the two studied together under Milhaud, had a better conception of the group sound and, although his playing tended towards the clinical, it fitted well with Brubeck.

"From this," he added, "was born my conception of the massing of sound events".

"I like a lot of the names I see on spam e-mails because they're completely abstract, with little conception of culture or traditional sounds," said a posting by someone using the name Oissubke, a self-described fiction writer.

Since sounds phenomenologically seem to be located in space and to bear extrinsic spatial relations to each other, auditory experience satisfies the requirements for objectivity, which need only secure the materials for a conception of a place for sounds to exist when not experienced.

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