The same affordances can also be used to strengthen centralized control and to promote activity in belief mode, however, so it is important for practitioners and designers to have a clear conception of creative knowledge work as an objective.
I believe deeply in the ideas behind Joseph Schumpeter's conception of creative destruction, of firms that quickly grow up and break up while innovation moves quickly forward throughout the economy.
It is in my new role that I am able to express my love for not only design but the conception of creative ideas, and the execution of them by curating amazingly talented teams.
Fightball and all of its attendant branding is the conception of two creative directors: Liron Reznik, from Israel, and Jonas Hallberg, who is Swedish.
But the popular conception of the creative writer is still by and large one of the individual trying to wrestle language, maybe even the meaning of life, from his soul, the kind of lone battle Jonathan Franzen described himself waging in writing "The Corrections," which he sometimes did in the dark, wearing earplugs and earmuffs, trying to hold his mind "free of clichés".
Opposed to these positive conceptions of the creative powers of plants and animals is the notion that their sacred power is chaotic or demonic.
This new piece takes viewers through three stages of flight, a visual metaphor for the process of creative conception, through the use of Kinect controllers and infrared sensors.
The reason was creative differences or, rather, differences between Soderbergh's boldly creative conception of the film and the studio's fear that the movie he intended to make wouldn't be commercial enough to earn back its fifty-eight-million-dollar budget.
"On the Role of a Globally Sharable Core Conception of Basic Justice" in Our Creative Diversity — A Critical Perspective (Norwegian National Commission for UNESCO 1997), 37 50.
Robinson's conception of herself as a creative being is tied up in how she experiences existence itself: "I suppose it is inevitable that I should think of fiction as a small model of the simulacrum of reality that is given to us by sense and perception and as a way to probe anomalies that emerge in the assumed world when it is under scrutiny".
Despite these explicit confirmations of the efficacy of dependent causes (i.e., those that are other than God), it is difficult to avoid the conclusion that La Forge assumes a clear conception of how God's creative action operates, and that the sufficiency of God's causation makes the causation of natural events redundant.
