Sentence examples for conception of artistic from inspiring English sources

In contemporary culture, however, an understanding of the individual became important as the author and artist themselves blossomed, leading to a complex and ever-shifting conception of artistic identity.

The 16th Century conception of artistic originality marked a big shift from earlier periods of art history, when, say, a Roman copy of a Greek statue was just as 'original' as its source.

A plausible diagnostic (Livingston 2013) is that at least some of the diversity of opinion in ontology reappears when we turn to conceptions of aesthetic and artistic value and appreciation.

In the best E.U. tradition, of course, nobly protecting naive innocents overrides any protestations of obstinate performers who embrace their own conceptions of loud, artistic happiness.

The producer isn't sure what comes next for a Hollywood that, despite this sudden shift, still clings to deeply ingrained power imbalances and toxic conceptions of the artistic process.

William Morris in En-gland and Georgy V. Plekhanov in Russia both attempted to unite Marx's social criticism with a conception of the nature of artistic labour.

That is Final Fantasy XIII: a milestone of artistic conception and technical execution that has been egregiously undermined by obstinately prosaic overall design.

Mr. Jaar may have attempted to present the eureka moment of artistic conception, but it wound up even more spontaneous than he had planned.

In their belief that most artistic institutions were not conducive to reflection but merely promoted a consumerist conception of art and artists, conceptual artists in the mid-1960s thethearly 1970s0s intead tried to encourage a revisionary understanding of art, the artist, and artistic experience.

(Whenever Eliasson is working on a project — in this case, a commission from BMW to design an "Art Car," an artistic conception of a new hydrogen-powered car — his first impulse is to pull everyone around him into the initial inquiry).

Garry McQuinn, a lead producer of "Priscilla," said that using recorded musical sounds — including recorded strings — is a necessary part of the show's artistic conception of recreating the art form of 1980s drag performances in Sydney; the production features a couple of numbers with lip syncing and others that mix recorded, manipulated musical sound with live musicians.