Which need not be male, although the concept, direction and sound for "Selective Memory" are by Mr. Rogers, who sits beside the stage area and adjusts technical aspects on two control boards.
This was also the subject of "Selective Memory," the previous work by Mr. Rogers (credited here for concept, direction, sound and — his quotation marks — "choreography") and Ms. Best (director of photography here).
MONTCLAIR "Zinnias — The Life of Clementine Hunter," new opera based on the life of the African-American artist Clementine Hunter, with concept, direction, set and light design by Robert Wilson; libretto and music by Bernice Johnson Reagon and Toshi Reagon; and book by Jacqueline Woodson.
Ellefson stated that the band constantly creates new material, and that making a recording begins with exchanging ideas after which the band enters the studio and discusses the concept, direction, artwork, and song titles.
SH was involved in the development of the concept, direction, drafting and editing of the manuscript.
Mr. Schumacher said he and Mr. van den Ende were currently working on a top-to-bottom revision of "The Little Mermaid," which will include a new set, design concepts, direction and a couple of new songs, as well as likely changes to the dialogue.
Respondents described how social and environmental factors impacted the core concepts (Direction D) and reciprocally, how the core concepts could influence society (Direction E) (tables 3 and 4).
"I first worked for him in the Gulf war, and General McChrystal was the sharpest, fastest staff officer I have ever come across – and I had been serving for 20 years at that point," said Lamb. "He could take ideas, concepts, directions, and he could turn them into language, into understanding, and pass it out at an electric rate".
According to the neo-Fregean account, the claim that concrete lines a and b are parallel is committed, by itself, to abstract objects, directions.[46] Moreover, it has this commitment whether or not any mind ever grasps the concept of direction, or formulates the corresponding abstraction principle.
VIENNA: LUSTHAUS (REVISITED) Concept and direction by Martha Clarke; music by Richard Peaslee; text by Charles L. Mee; set and costumes by Robert Israel; lighting by Paul Gallo; musical direction, Jill Jaffe; production stage manager, Jennifer Rae Moore; assistant stage manager, Greg Tito.
But Michael Thalheimer's concept and direction reveal why Wedekind's 19th-century works can leap so fluidly to the present.
