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February 14 2015 In conceiving a double-bill production of Tchaikovsky's "Iolanta" and Bartók's "Bluebeard's Castle" as the continuous life of one female meta-character, the Polish director Mariusz Treliński has trivialized the first work and intensified the effect of the (much greater) second one.
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Once ignominiously chopped to form a B-feature below Nicolas Roeg's Don't Look Now – what a double-bill – it has been fully restored to the length originally conceived by Hardy, and this means an even richer and more potent presence for Christopher Lee as the sinister Lord Summerisle, ruling over a remote island where a young girl has gone missing.
A double-bill with Tarnation would complete the agony.
Could Glyndebourne be persuaded to run a double-bill of fragments?
But where else in Britain would you find a double-bill like this?
At the Teatro Real here, in its second season run by the impresario Gerard Mortier — late of the Salzburg Festival, the Paris Opera and other music centers — Stravinsky shares a double bill with Tchaikovsky with "Iolanta" and "Perséphone," the latter a "neo-classical extravaganza" (the musicologist Richard Taruskin's term) conceived for Paris in the 1930s.
Can I have a double bill?
A double bill of salsa hybrids.
There was a double bill on this weekend.
(212-475-8592)— Sept. 11-16: A double bill with Ron Carter and Christian McBride.
A double bill of reggae hybrids.
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