"conceived upon" is correct and usable in written English.
You can use it when referring to an idea that someone came up with, or a plan of action that was formulated. For example, "The organization was conceived upon the idea of providing access to clean water for the entire community."
We define the notions of unilayer and multi-layer links and show that generality of shapes that can be conceived depends upon the designer's choice about the physical implementation of the joints.
In the Fundamental Wisdom of the Middle Way (Mūlamadhyamakakārikās; hereafter MMK), Nāgārjuna extends the notion that phenomena lack intrinsic existence (svabhāva) to apply to the self, which is usually conceived in dependence upon the five aggregates (MMK, IX, 12).
Historically, at least one Buddhist school, that of the Vātsīputrīyas or Pudgalavādins ('personalists'), does appear to endorse the reality of persons as conceived in reliance upon the collection of aggregates (see §5.5 for a detailed discussion).
personalists), usually identified with the Vātsīputrīyas, seem to have advocated the view that persons can be said to conventionally exist, insofar as they are conceived in dependence upon the five aggregates and the six types of cognitive awareness (cf. Priestley 1999).
With "Secret in the Wings" -- a brilliantly conceived, sexually provocative "once upon a time," written in 1991 and currently onstage at the McCarter Theater Center here -- she so engages her audience in the creative process that a final-curtain exhaustion, as well as exhilaration, is the result.
But "God exists" is also a principle recognized by virtually all humans, a kind of axiom built upon creatures conceived as shadows of the one divinity for whom explicit arguments specifying God's causality are no more needed than for other axioms.
Owen also believes people will abide by the principles of clarity, unity and purpose upon which he conceived Pristina.
To them war is a calamity and a social disaster, whether it is afflicted by one nation upon another or conceived of as afflicting humanity as a whole.
Chailly's bold idea of inserting a contemporary commission into the midst of each programme should be accounted a major success, though Bruno Mantovani's Upon One Note, conceived in apposition to the fourth symphony, could have done with a bit of thinning out.
André Masson, Arshile Gorky, and Max Ernst, in particular, experimented with fantastic or erotic images that were spontaneously recorded in a kind of visual free association, without the artist's conscious censorship; the images were then either left as originally conceived or were consciously elaborated upon by the artist.
