Sentence examples for conceived to convey from inspiring English sources

His line was partly conceived to convey a social message.

You could, in theory, check your make-up in its angled mirrors, but their fractured reflections and the ominous stains on its unkempt wooden top suggest that Psyche was conceived to convey something dark and unsettling, rather than to serve a practical purpose.

She would often connect images, childhood memories, emotions and fantasies to songs she was in the midst of composing, and was subsequently motivated to shoot visuals to convey the concepts behind what she had conceived during production.

It is difficult now to conceive the degree of ignorance behind this remarkable reversal, or to convey the sheer lack of information available in a Britain without TV, let alone the internet, at a time when there was no cheap foreign travel, no contemporary art galleries, no affordable artbooks, not even glossy magazines.

Allegro was conceived as taking place in an open space, using props and projections to convey scenery to the audience.

Or is he, just as plausibly in the political context of the time, a symbol of all-American gumption, meant to shame an ambivalent citizenry into supporting the Korean War? Whatever message it was meant to convey, "High Noon" was always a sort of meta-western, conceived by a group of filmmakers who had little or no previous experience with the genre.

/ … /I didn't want to convey to the children the feeling … that they had been conceived in a way that made me sad.

Prince Charming was conceived for a soprano, and purists would strongly argue that the romantic innocence Massenet wanted to convey only comes through if both voices are female.

Using humour, cartoons and a subplot involving a vampire, it attempts to convey the emotional and practical challenges faced by the 3,000 children who are conceived each year when donation helps overcome fertility problems.

He attempts to convey the cultural aspects of the community surrounding the location where the work was conceived and made, an endeavor influenced by Relational Aesthetics, which Ng studied in France.

And an "authentic," uncut Italian performance, complete with Baroque stage spectacle -- colorful sets changing before the audience's eyes -- and a full measure of extemporary vocal pyrotechnics from the singers, would fail to convey to a modern audience one of the most essential aspects of this opera: that it was conceived as popular entertainment.