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(Yentl, can you hear me?) This playfully erotic 1994 klezmer musical was conceived and adapted by Robert Brustein, with lyrics by Arnold Weinstein and score by Hankus Netsky.
The show was conceived and adapted by Joel Lipman, 42, a television producer who said that his head has been spinning since he heard "Light My Fire" on a transistor radio one summer night when he was 10.
The title of the production, "The Last Goodbye," is taken from one of Buckley's songs, and there's enough chemistry between his somberly romantic lyrics and Shakespeare's romantic tragedy to make this project, conceived and adapted by Michael Kimmel, seem like more than a forced marriage.
Conceived and adapted by Michael Kimmel, the production is directed by the busy Alex Timbers.
Conceived and adapted by Michael Kimmel, the show had a workshop run at the Williamstown Theater Festival in 2010.
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KMT conceived and successfully adapted the WordCloud plug-in and was involved in drafting the manuscript.
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Conceived by Bill Rauch and adapted by Mr. Rauch and Tracy Young from Euripides, Shakespeare and Rodgers and Hammerstein.
The company revives its Passion play, "Stabat Mater: Donna de Paradiso," conceived by Alessandra Belloni and adapted from poetry by the 13th-century monk Jacopone da Todi with a musical score by John La Barbera.
But as conceived and directed by Shawn Sides and adapted by Kirk Lynn, the evening pulses with verve and ingenuity, in which resonantly simple solutions are found for presenting the seemingly unstageable.
But as conceived and directed by Shawn Sides and adapted by Kirk Lynn, "Lipstick Traces" has a surprisingly high success rate in finding theatrical equivalents for Mr. Marcus's fervid brand of scholarship.
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