Sentence examples for compositional talent from inspiring English sources
The phrase "compositional talent" is correct and usable in written English
It can be used to refer to someone's ability or skill in creating compositions, particularly in music or writing. Example: "Her compositional talent was evident in the way she crafted her symphonies."
There is a colossal amount of compositional talent around, and a lot of it is going into pieces that will be heard a few times and never again.
Like all the great performers of his era, Liszt wrote many pieces designed to show off his digital skills, but as his career progressed it became clear that his compositional talent went far beyond mere display.
Diaghilev's intention, however, was to produce new works in a distinctively 20th century style, and he was looking for fresh compositional talent.
Today, Ted Hearne, one of the brightest compositional talents of the millennial generation, makes his home in Los Angeles, where he teaches at the University of Southern California.
His compositional talents developed early, and he won a university scholarship at the age of 16.
Brett Stewart's compositional talents were clear in his orchestration/arrangements of "Popcorn Popping," "Beautiful Savoir" and "Jesus Is My Shepherd". Brett Stewart also composed the oratorio "Messiah in America," written for mixed choir, children's chorus, four soloists and full orchestra.
Mr. Penn's talent for picturing his subjects with compositional clarity and economy earned him the widespread admiration of Vogue readers during his long association with that magazine, beginning in 1943.
Mr. Penn's talent for picturing his subjects with compositional clarity and economy earned him the widespread admiration of readers of Vogue during his long association with the magazine, beginning in 1943.
With this roster of solo talent and the era's orchestral, compositional, and arranging developments all inspired by a high sense of professionalism and an unprecedented artistic (but often also commercial) competitiveness it was inevitable that a new jazz idiom would soon evolve.
Ms. Bouvier responds only in the most simplistic fashion to the music's rhythms, and her ensemble dances are repetitive unison exercises in time-filling running, falling, lifting and empty gesturing that never venture into compositional complexity, and make little use of the dancers' evident talents or ballet technique.
Images that in themselves were cheap and vicious were given a new dignity by her crisp way with paint, her talents as an editor and her adroit use of compositional devices derived from abstract painting.
