Sentence examples for composition of stage from inspiring English sources
By using his own persona as one of the ten characters he performs, and by superimposing the autobiography of his performing self onto the fictive biography of King Lear, Wu lays bare the tripartite composition of stage representations of characters, from the self, to the actor's persona onstage, to the character's psyche.
CONCLUSIONS: The cellular composition of stage I NSCLC appears to be highly variable, with no correlation noted between a specific tumor cellular component and FDG activity.
The effectiveness was assessed through the use of an ordination plot (stress = 1.3) which provides a diagrammatic representation of the composition of stage groups at each site.
Jaffar Al Chalabi, executing Mr. Duato's conception, has enhanced the formal composition of the stage with a huge scaffold that has interior ramps.
SDS PAGE analysis (Fig. 4A) showed the protein composition of secretory stage wild-type and Pvrl1−/− developing enamel matrix to be identical.
In an independent approach, the COPAS biosorter [30] was used to quantify the optical density distributions of growing worm populations to evaluate the composition of life stages in a given feeding condition.
It is natural to come up with two different phylogenetic trees and thus classifications of a specific taxon if the analysis was based exclusively on adults, larvae, eggs, or even on the composition of all stages.
9 10 The normal composition of sleep stages within a sleep period, that is, 'sleep architecture', is 61% light, 16% deep, and 23% REM for adults (aged 30 years) and 57% light, 22% deep, and 21% REM for adolescents (aged 16 years).
Considering the possibility that the prevention package may cause earlier cancer diagnosis in the intervention than in the delayed arm and thus results in reduced difference in cancer incidence between the two arms, comparison in composition of cancer stages parallels comparison in cancer incidence rate between the two groups.
The two differ substantially and must indeed represent different stages of composition and of staging, so that both are germane to an understanding of the play's textual and theatrical history.
