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In his late works Miró employed an even greater simplification of figure and background; he sometimes created a composition merely by setting down a dot and a sensitive line on a sea-blue surface, as in Blue II (1961).
Harry Pierce, a talented landscape architect, lived at Cylinders Farm in Elterwater, where he was planting an extraordinary hillside garden on the site of an old gunpowder works, and Schwitters, who had been commissioned to paint his portrait, was much taken with his methods: "He lets the weeds grow but makes it into a composition merely by adding some small touches.
Changes in sample composition merely result in a rotation of the "coordinate system" spanning Sn, which can be represented not only by the vectors { G1,..., Gn}, but also by all orthogonal vector systems which can be generated by the rotation of { G1,..., Gn}.
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If composition were merely a matter of organizing a certain number of relationships, the process would be mechanical, not creative, and all architecture would be equally good or, more likely, bad.
A sequence of strata, therefore, may appear as alternations of coarse and fine particles, as a series of colour changes resulting from differences in mineral composition, or merely as layers of similar aspect separated by distinct planes of parting.
Many medieval philosophers try to dampen this criticism by suggesting that the universal is, strictly speaking, not composite; it merely mimics composition (see the mention of Ockham in Section 2 above).
A puzzled clarinetist said that a note he had been assigned sounded wrong, and Muhly explained that the bum note was deliberate: his composition was not merely an arrangement of Byrd's score but, rather, an imitation of a live, imperfect performance of the music.
Let us do what we want!" Of course, teaching composition is not merely about letting students do what they want; it's about guiding them in the making of choices.
This composition is not merely imaginary.
The psychological factors that guide our judgments of unity simply do not have the sort of ontological significance that should be guiding our construction of a good mereological theory, short of thinking that composition itself is merely a secondary quality (as in Kriegel 2008).
Should they be absolutely conserved in UTRs to exert their effects (in position and/or composition), or is merely the presence of one or more uORFs anywhere within the 5' UTR sufficient?
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Justyna Jupowicz-Kozak
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