Sentence examples for composition is built from inspiring English sources

Before 1945 composers sought to liberate themselves from the main Classical-Romantic tradition of tonal thinking and to reconstruct their thinking along new lines, for the most part either Neoclassical or atonal and 12-tone, in which a composition is built up entirely from a tone row consisting of all 12 notes of the ordinary chromatic scale.

Before 1945 composers sought to liberate themselves from the main Classical Romantic tradition of tonal thinking and to reconstruct their thinking along new lines, for the most part either Neoclassical or atonal and 12-tone, in which a composition is built up entirely from a tone row consisting of all 12 notes of the ordinary chromatic scale.

The song's instrumental composition is built around a prominent sample of "Tainted Love", which was originally written by Ed Cobb in 1965 and popularised by English synthpop duo Soft Cell, when they released their cover version in 1981.

The composition is built from the geometric shapes that form the lines of the woman's veil, neckline, face, and arms, and by the fall of the light that illuminates her face and headdress.

Multiple stacks of index cards – Eco imagines the student hefting them around between libraries – form the substrate on which thought and composition are built.

Two quaternary light emitting layers of different composition were built in one device structure in order to broaden the usable wavelength range of the emission spectrum.

But more commonly, as in an earlier version of the same painting, or in "Mending the Net," also from 1881, the composition was built up from a half-dozen or more separate photographs.

In order to gain insights about the deformation phenomena in polymer blends, atomistic models of the 60 wt% PVPh composition were built using the Meirovitch approach.

In the Baroque a common type was the ostinato, or variations on a ground, in which the composition was built on a recurring melodic or harmonic pattern, generally in the bass, the accompanying parts being varied with each statement of the pattern, as in Bach's Passacaglia and Fugue in C Minor for organ or his "Chaconne" from the Partita in D Minor for unaccompanied violin.

The Barite colemanite concretes with two different compositions were built and their linear attenuation coefficients were measured against Cobalt-60, 9 and 18 MeV photon beams.

The preferred tempo on "Agaetis Byrjun" is largo, the lyrics are hymnlike and the compositions are built less on verse-and-refrain than on the careful accretion of tone colors.