Sentence examples for composition and setting from inspiring English sources

Regular operagoers will recognize both these techniques — updating the action to the time of a work's composition and setting a production on a "meta" stage — as directorial standbys, but the translation is effective at first.

A search of the literature reveals a few studies that aim to further investigate the composition and setting characteristics of the material.

In the exhibition catalog, Paul D'Ambrosio, the show's curator, notes correspondences in the scale, costumes, composition and setting of Brewster's early works and the portraits by Earl, who was in turn influenced by the English "Grand Manner" style of painting.

Cements with binary blends of ordinary Portland cement (OPC) and seashell powder (up to 30% by mass) as well as ternary blends of OPC, seashell powder (up to 7% by mass) and natural pozzolan (up to 30% by mass) were developed and their characteristics were investigated in terms of density, fineness, specific surface, chemical composition, and setting time.

In order to get a really fantastic shot, always keep composition and setting in mind.

The triptych's composition and setting are poised to suggest instability, and the doors in each side panel are splayed outwards as if to look into the darkness of the foreground.

This version features Isao Tomita's electronic interpretation of the much-abused Ravel composition, and sets a pair of dancers mostly next to each other, now fluidly windmilling their arms from the elbows while shifting their weight side to side, now striding to the lip of the stage to offer their bored cocktail-party faces to their public.

This shows the close agreement with the final composition and set composition of this alloy.

There are several temporary filling materials with different microstructures, compositions and setting mechanisms on the market.

The group — Mr. Shorter on tenor and soprano saxophone, Danilo Pérez on piano, John Patitucci on bass, Brian Blade on drums — hungrily and sympathetically explored Mr. Shorter's compositions, and set a high level of collective improvisation.

The new production of this Humperdinck opera moves the familiar fairy tale to the year of the opera's composition, 1893, and sets it in Manhattan.