Sentence examples for composition and orchestration from inspiring English sources

Exact(9)

He is now a distinguished professor teaching composition and orchestration two days a week.

He later studied with the composer Darius Milhaud, who sensed that he should study composition and orchestration over classical piano.

In 1932, Herrmann audited a New York University composition and orchestration class taught by the Australian pianist and composer Percy Grainger, one of music's blue-ribbon eccentrics.

From 1972 he had been producing books of compositions and guitar tablature, and in 1982 he enrolled on a degree course in composition and orchestration at Dartington college in Devon.

As a professor of composition and orchestration at the St . Petersburg Conservatoryfrom 1871 until the end of his life (with the exception of a brief period in 1905 when he was dismissed by the reactionary directorate for his defense of students on strike), he taught two generations of Russian composers, and his influence, therefore, was pervasive.

Composition and Orchestration deal with the problem of creating complex services promoting reuse and optimal allocation of resources but many security issues arise complicating the work of designers.

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Similar(51)

He offered Rimsky-Korsakov a professorship in Practical Composition and Instrumentation (orchestration), as well as leadership of the Orchestra Class.

Wynton responded with composition and orchestrations that included concepts Yacub raised of extended family, spirituality, and the all-important bell patterns.

At the age of 13, in 1879, he met Balakirev, who recommended Rimsky-Korsakov as a private tutor in musical composition, counterpoint and orchestration, and brought Rimsky-Korsakov an orchestral score Glazunov had written.

When the Nazis came to power, in 1933, the family fled to Paris, where Mr. Foss enrolled at the Conservatoire and studied piano with Lazare L?, flute with Louis Moyse, composition with No?Gallon and orchestration with Felix Wolfes.

In addition, he bartered lessons in theory, composition, harmony, orchestration and languages (solely those she would need for touring: no stuffy Latin or Greek, and certainly nothing to facilitate the consumption of literature).

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