Sentence examples for composer in terms of from inspiring English sources

Some of these simple rules of songwriting just continue to be the simple rules of songwriting, and there's nothing much about Adele or Simon & Garfunkel or Leonard Cohen's songs that would have seemed alien to the Viennese composer in terms of the chords, or the shape, the way the verse leads into the chorus, or the piano accompaniment.

Hogwood's philosophy with the orchestra, and indeed in all his projects, was to attempt to understand and recreate the composer's intentions, in terms of both notation and performance.

I regard him as one of the most prolific composers around, and especially in terms of creative, improvised music, he's definitely leagues ahead of most composers.

And at least some of the available evidence suggests that composers do not think in terms of definitive performances.

Although Donizetti does not appear on any list of top twenty influential composers on his own in terms of network centrality, he shows a drastic rise in prominence thanks to the number of records shared with a composer (Verdi) with an identical musical style (Romantic Italian opera) and similar active years.

Therefore, in the computer music fields, composers began to write music in terms of the fractal structures with algorithms.

Sondheim is somewhat more vocal, if understandably perplexed, about Frank Wildhorn's "aura of success" in the new Broadway: "If you add up the millions lost on 'Civil War' and 'The Scarlet Pimpernel,' he's probably the most unsuccessful composer in the history of Broadway in terms of the amount of money lost".

The 16 competitors in this year's contest, held at the Jewish Center for Community Service in Bridgeport, were required to perform a movement from a concerto and a contrasting piece in terms of tempo, composer and style.

Composers do not yet normally think in terms of dance (as they do in terms of song), although in Great Britain the composer Peter Maxwell Davies incorporated an integral role for solo dancer in his otherwise instrumental work, Vesalii icones (1969).

While closely related, they carry slightly different yet interesting probable interpretations: The bipartite degree would mainly represent a composer's popularity, while the projected degree would mainly represent a composer's versatility or compatibility with others, likely in terms of musical styles.

"My goal for this project was to work entirely with Mexican composers who tried to break the mold in terms of sound experimentation," he explains.