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(Chinen) Jerome Sabbagh (Saturday and Wednesday) Mr. Sabbagh, a coolly composed tenor saxophonist in the modern mainstream, leads two bands in the next few days, each with its own gait and direction.
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The program also included the fiery "Canticle II: Abraham and Isaac," composed for the tenor Peter Pears, Britten's life partner, and the contralto Kathleen Ferrier.
(Chinen) * TAPPINTOINTO MONK Tonightt and tomorrow night) Savion Glover, the titan of modern tap dance, should make for a natural interpreter of Thelonious Monk, whose music is inherently percussive; Mr. Glover will be joined by a coterie of other dancers and a quartet composed of the tenor saxophonist Ted Nash, the pianist Cyrus Chestnut, the bassist Gerald Cannon and the drummer Herlin Riley.
(Chinen) JEFF (TAIN) WATTS QUARTET (Tuesday through Thursday) Jeff Tain Wattsts, a dynamic and often riveting drummer, leads a post-bop unit composed of the tenor and soprano saxophonist Marcus Strickland, the keyboardist Henry Hey and one of two solid bassists: either James Genus (Tuesday and Wednesday) or Matt Brewer (Thursday).
Well, "The Dark Mirror" is a team play as well, with the head coach being Hans Zender, the German composer and conductor who took the voice-and-piano original of "Winterreise" and made "Schubert's 'Winterreise'," a "composed interpretation" for tenor and small orchestra that transcends any standard concept of transcription or arrangement.
The choir at St. Thomas Church is composed of adult tenors, basses and countertenors and of boy sopranos who study at the church's own choir school.
(Chinen) MALABY-HALVERSON-SANCHEZ-TAKEISHI (Friday) A forward-minded collective with an emphasis on group rapport and a lineup composed of Tony Malaby on tenor saxophone, Mary Halvorson on guitar, Angelica Sanchez on piano and Satoshi Takeishi on drums.
In 1811, the tenor John Braham composed a song, "The Death of Nelson", including the words of the signal.
It's Benjamin's first work since his 2012 opera Written On Skin, and was composed for the counter-tenor Bejun Mehta, who created the role of the Boy in that work.
Ms. Leslie also composed "Fearless," a piece for tenor saxophone and piano that will be the background to Ms. Nova's reading of Maya Angelou's "Life Doesn't Frighten Me".
His new work, composed for a soprano, a tenor and six instrumentalists, lingers upon a specific instant in that story: the moment Orpheus turns to view Eurydice, thereby consigning her to oblivion.
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