Sentence examples for component of paint from inspiring English sources

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Exact(2)

Benzene is a component of paint supplies and tobacco smoke, and trichloroethylene is used in adhesives, spot removers and other household products.

Ochre is an important component of paint used in traditional, as well as modern, Australian indigenous art.

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All these young artists were thumbing their noses at tradition (this naturally appealed to Johnson), and most of them had dispensed more or less completely with the technical skills — the fine craftsmanship — that used to be considered an essential component of painting and sculpture.

It is also a major component of sulfate turpentine, a by-product of the manufacture of paper, and is important as a component of paints and varnishes and as a raw material for the production of a wide variety of products employed in the chemical industry.

During the 1800s, chromium was primarily used as a component of paints and in tanning salts.

In the notebooks he explains that the 10 optical functions of the eye ("darkness, light, body and colour, shape and location, distance and closeness, motion and rest") are all essential components of painting.

It provides a good complement to Scanning Electron Microscopy coupled with an Energy Dispersive Spectrometer (SEM-EDS) which is routinely used for the 2D elemental analysis of the inorganic components of painting fragments.

I became fascinated by works of art as physical objects: the identification of the animal, vegetable, and mineral components of paints, or of plant fibres in paper, wood identification and dating, and the many spectroscopic methods that have been adapted for nondestructive testing of historical and archaeological artifacts.

TiO2 NPs are widely used in the nanotechnology industry due to their vast array of applications that range from household commodities, such as components of paints and carpets, to personal products that include cosmetics, textiles, sunscreens and foods [8], [9].

This component of the painting, the face painted without depth, alludes to Byzantine iconographic space, which was reserved for holy imagery.

In most of these studies, the wax detected was present in all the paint layers integrated into the mass of the colours, which would indicate that this wax was not a protection layer of the finished mural, but a component of the paint medium.

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