Sentence examples for complex depictions from inspiring English sources

The stories and links together offer complex depictions of the pilgrims, while, at the same time, the tales present remarkable examples of short narratives in verse, plus two expositions in prose.

Warhol's '60s imagery was looser and simpler than the tighter, more complex depictions of Jackson he created in the 1980s.

In comparison to arbitrary orientations of the residue molecules in the individual complex depictions a consistent placement improves the legibility and comparability within the series.

These complex depictions are very important in a world where interracial relationships are still taboo.

That audiences and critics both found Celeste's personal struggles more resonant than Jane's thoughts of revenge bodes well for the future of these stories; perhaps now production companies will be more likely to take a risk on complex depictions of abuse, rather than coming at the issue slantwise.

LGBT historian Susan Stryker describes the relationships between Bannon's characters as mostly positive, satisfactory, and at times complex depictions of lesbian and gay relationships, which Bannon attributed to not letting go of the hope that she could "salvage (her) own life".

Ms. Mirren, John J. O'Connor wrote in The New York Times, gives "a wonderfully complex depiction of a confused woman caught in a situation that suddenly reveals her to herself".

The show about the aftermath was touchingly real, with imagery that has quickly become familiar -- posters of the missing, shrines of candles in front of firehouses -- and with a complex depiction of emotions.

He gives us a complex depiction of the kind you don't get on the nightly TV news, even trying to get inside the heads and hearts of the aggressors themselves.

Lauded by critics for many years, in the space of five weeks, Dano has become the toast of British television, his subtle and complex depiction of the ever-suffering Bezukhov stealing almost every scene in Andrew Davies' £10m Tolstoy adaptation.

The play was controversial for its forthrightly harsh and morally complex depiction of life in a place much like Salford, and it offered critics an easy opportunity to consider her work alongside that of the so-called angry young men: John Osborne, Alan Sillitoe and other writers who were rejecting the traditional reserve and gentility of British high culture.