Again exceptions such as the highly rearranged mt genomes of lice [ 8] and wasps [ 9] within arthropods or those of plethodontid salamanders within vertebrates [ 10] are comparatively rare and confined to relatively derived portions of each group.
Catherine Malandrino was comparatively restrained, confining her patent leather, as often as not, to details in the line.
Even though, for reasons of computational complexity, simulations will be confined to comparatively small scenarios containing some few base stations, we still expect to extract valuable performance indicators for coordinated multipoint reception schemes [57], accounting for practical constraints, such as, limited back-haul capacity.
As discussed above, although considerable amounts of sea cucumbers have been harvested for centuries in some localities, ecological overfishing historically did not appear to pose a major threat since harvest was confined to comparatively shallow depths.
This is the broad thrust of the comparative literature, although it is sparse and still confined to a comparatively few developed and largely Anglo-Saxon nations (see, for example, Aidt and Tzannatos 2002; Metcalf 2003; Doucouliagos and Laroche 2003, 2009).
I felt that working at ITS would offer the opportunity to be involved with the entire project rather than being confined to a comparatively narrow remit.
It is also possible that some effects are confined to a comparatively rare genotype, such as the YY genotype for HFE, and the number of DZ pairs with such genotypes is insufficient to detect linkage.
Amitostigma physoceras (Fig. 5n) and A. papilionaceum together occupy the relatively long basal branch within this clade; they are distinct from the remainder of Clade N7 in both morphology and ecology, and current (limited) knowledge suggests that they are confined to the comparatively warm, dry valley of Min River in West Sichuan.
In the comparatively intimate confines of Merkin Concert Hall, Mr. Brookshire gave a warm, rhythmically fluid account of Bach's "Art of the Fugue" in a presentation that was meant to engage the eye as well as the ear.
Striking, too, was a colorful setting of "Lauda Jerusalem" by the 17th-century Portuguese composer João Lourenço Rebelo, who confined himself to a comparatively spare 16 voices but engaged in pointillistic word painting and lively rhythmic counterpoint.
