Sentence examples for communist architecture from inspiring English sources

After sampling Bratislava's medieval old town and quirky communist architecture, head for the Tatras mountains.

Marvel at the communist architecture of Pyongyang, and visit the beautiful Myohyangsan and Kuwol mountains.

In the 1980s, when she left, the old Shanghai was already giving way to Soviet-style housing blocks, "very square, typical communist architecture".

We drove to downtown Pyongyang, an unattractive showcase for the school of brutalist communist architecture – huge open spaces surrounded by imposing monuments, cold statues and ugly tower blocks all designed to make you, as an individual, feel very insignificant.

This is remarkable for a city that is the antithesis to Paris, and is dominated by concrete, the largely communist architecture of plattenbau, and retains the heaviness of both Nazi and classicist architecture.

Those 50 previous years under Soviet control are interpreted only in terms of "occupation" and humiliation, and any symbols of the previous regime, both welfare state and communist architecture, are wilfully demolished.

Preservation is not a major preoccupation here, which is ironic considering that much of the post-communist architecture has been built to look old (it's known unofficially as the "Luzhkov style", after Moscow's long-serving mayor).

To be perfectly honest, it's not a particularly exciting place to visit, but communist housing architecture rarely is.

Everywhere in Lebanon new buildings rise up from the rubble; internationally-designed apartment blocks in Beirut make Australian apartments look like sub-standard, communist brutalist architecture.

Just what is to be done with the many examples of Communist-era architecture that pepper the country?The most visible legacy of Communist rule, the grand and often eye-catching buildings have become a source of heated debate in Poland with critics condemning them as an ugly and unwanted reminder of a past best forgotten.

Set in the 1970s, it was shot over a period of two years, mostly in the oil-producing regions of Kazakhstan, with an emphasis on vast, ruined landscapes and alienating Communist-era architecture.