Sentence examples for communicating landscape from inspiring English sources

This paper reports on a potential new form of data generation and data display to be used for communicating landscape change at local scales, utilizing a huge collection of oblique aerial photographs held by the Royal Library in Copenhagen.

We assessed the strengths and weaknesses of the suite of visualisation products deployed for communicating landscape futures to two audiences (i) current users comprising environmental managers and planners working within the study area and (ii) future users comprising university students currently studying spatial information sciences as part of their environmental management program.

Visual presentation has been identified as an effective means of communicating landscape-related information, particularly due to the increasing ease with which computer visualisation techniques can utilise GIS data.

A special focus was placed on assessing the role of land cover as a means to communicate landscape meanings regarding a specific geographical region.

Yet, it is equally important to develop a common language to communicate about landscape so that the question items can be clearly phrased and understood.

In participative planning processes, 3D visualisations have a high potential as an aid in understanding and communicating characteristics of landscape conditions by integrating visual and non-visual landscape information.

Scenario visualisation by photorealistic design techniques proved to be a helpful tool for researchers in communicating the proposed landscape changes to stakeholders.

Thus, animations using 2D images and 3D views are becoming essential for communicating results of landscape monitoring and computer simulations of Earth processes.

These photographs are an effective way of communicating visibility impairment of landscape features to decision makers and the general public and are useful in providing stimuli for visibility perception and valuation studies.

There was a plurality of subject matter, just as there was in the style of the installation: a still-life on a windowsill, a pair of combat trousers drying on a radiator, an aerial view of the Arctic, a swirling stain of rose-coloured pigment, a portrait of Kate Moss, Concorde in flight, a man with a backpack in a barren landscape seemingly communicating with a small deer.

Often that landscape communicates a powerful menace, while at other times a feeling of awe and beauty.