Sentence examples for commonplace material from inspiring English sources

Exact(2)

The show, "Tsuki No Miyako: Bead Sculptures," is alluring, the pieces transcending their commonplace material, but Natsu also infuses them, perhaps to a degree they cannot fully sustain, with nature and mythology.

Ceramic objects must overcome a double barrier before they can be regarded as aesthetically important: pottery has to perform humble domestic functions, and it is made of the most commonplace material.For a century and more, many ambitious ceramicists have laboured to lift the status of their craft.

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Barlow's colossal sculptures are made of commonplace materials, often recycled timber, plywood, cardboard and plaster.

Ms. Kraus, 33, lives in Berlin and works with commonplace materials like light bulbs, mirrors, glass, ice and cloth.

But back 150 years, freely molded studies in commonplace materials were considered unacceptable for display in academic circles as finished works of art.

A nimble thinker, she improvised many of her looks from commonplace materials: jumpsuits snipped from parachute silk, with rip cords intact; evening dresses reminiscent of Hollywood's Golden Age made from gold lamé curtains; a kimono fashioned from an Appalachian quilt; and bloomers, ballet skirts and tunics cut from lowly sweatshirt fabric.

Boetti was a part of the Arte Povera movement, consisting of a group of individuals largely interested in creating art from commonplace materials.

This exhibition posited a connection between the spiritual and ritualistic statuses of the masks with the paintings' affiliation within the abstract movement, imbuing hidden meanings into commonplace materials.

Design Boom tipped us towards artist Megan Mosholder, an American sculptor who weaves gleaming designs into the structures of rural barns using commonplace materials like glow-in-the-dark nylon string, blacklight twine, and nails.

Not exactly commonplace reading material on a 10-year-old's nightstand.

The resulting images, each of which focusses on a single landscape feature — from tree blossoms to desert mirages — turn commonplace source material into complex geometric abstractions that have more in common with the experimental photography of Matt Lipps or Jessica Eaton than with the representational splendor of a traditional landscape photograph.

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