Sentence examples for commitment to morality from inspiring English sources

Hume identifies such feelings as benevolence and generosity as proper moral motivations; Kant sees the motive of duty a motive that Hume usually views as a second best or fall back motive as uniquely expressing an agent's commitment to morality and thus as conveying a special moral worth to actions.

A fascinating additional response Shaftesbury offered to the "Why be moral?" question is to equate a commitment to morality to the love of beauty.

The critic of this form of the Kantian argument may reply that Kantian morality sees duty as something that must be done regardless of the consequences, and thus a truly moral person cannot make his or her commitment to morality contingent on the achievement of happiness.

On both these accounts, the aim of the contract is to show that commitment to morality is an effective way to further one's non-moral aims and interests.

As earlier mentioned, "On Grace and Dignity" has traditionally been read as a critique of Kant's moral theory rather than of his aesthetics, arguing for greater moral significance for feelings in line with our principled commitment to morality than Kant acknowledges.

A new study suggests there might be hidden costs to our callousness: It might harm our self-image and chip away at our commitment to morality.

Your commitments to morality and learning and tolerance led to great historical achievements.

Secondly, his account of the role sentiment played in moral judgment and commitment to moral norms influenced Mill's thoughts about the internal sanctions of morality.

While these views differed among themselves as to what goodness, rightness, virtue and justice might consist in, they shared a commitment to seeing morality as a wholly natural phenomenon and they all saw moral judgment as a matter of thinking that actions, institutions, or characters had some particular natural property or other.

That's because the very subject of "Black Mass"—a subject that Cooper and the screenwriters, Mark Mallouk and Jez Butterworth, anchor the film upon but hardly examine in any detail is the local loyalty that binds residents of the neighborhood together and places their mutual allegiance ahead of other commitments, whether to morality or to law.

For men, violence is nonsexual and establishes their strength – as when Commissioner Gordon endures horrific punishment, only to emerge unbroken and unbowed, his commitment to law and morality unshaken.