Sentence examples for commercial representation from inspiring English sources

Oman announced that it was closing its commercial representation in Tel Aviv and Israel's trade office in Muscat.

It's a false, grotesquely homogenized vision of the city, as aggressively bland and incurious a commercial representation of the streets of New York as I can recall.

"Lots of young artists don't have commercial representation, because they are starting out, or because of the kind of work they make," Ms. Lennox-Boyd said.

These special diets have been manufactured by Special Diets Services (Witham, Essex, United Kingdom; French commercial representation: Dietex, Saint-Gratien, France).

Radius is open to emerging artists (defined as those who do not have commercial gallery representation in a major market) of all ages and media who live in Connecticut and in Westchester, Putnam and Dutchess Counties in New York.

Dominance of commercial fishing representation over the 'other' group was statistically significant, and this unequal apportionment of interests remained statistically stable throughout the 12 years of reporting.

These range from traditional commercial book representation to editing services, assessments, layout and design options for authors wanting to self-publish.

In their most commercial form, representations of rurality converge on a dominant notion of 'country', quite different from the 'countryside' and 'rural idyll' in England.

Brokers expect Mr. Hendricks to ask $33 to $38 annually per square foot, compared with current prices in the most expensive space in the central business district of $27 to $33. "You're looking at a building whose development cost is roughly twice the acquisition cost of the competition," said Michael A. Kennedy, president of Commercial Texas, a tenant representation firm.

In virtually all commercial simulation packages, the representation of turbulence relies on Reynolds-averaged Navier Stokes (RANS) equations in conjunction with Boussinesq-viscosity models (BVM).

Their book was rejected by every major New York publisher of commercial women's fiction, despite representation by a top NYC literary agency.