Sentence examples for commercial mood from inspiring English sources

It's like I saw this girl with an "Anarchy" T-shirt on, and, you know, I was a punk rocker, but I thought to myself, 'Hey, that's un-American.' " A glittering exception to the dull commercial mood in much of the country was Las Vegas.

But viewed in the context of the wider history of commercial mood music, Spotify's use of audio commissioned by Epidemic Sound for mood-based playlists seems a lot less surprising; in fact, it would seem to represent a continuation of a practice that has gone on for nearly a century.

For larger parties, or if you really want to set the commercial-watching mood, consider filming your own faux-commercial/invitation (don't worry about high-quality production techniques, the low-brow effect adds to the charm).

The post-1867 industrial boom and Hungary's fast technological and commercial development produced a mood of complacency that was first broken by László Arany (son of János), whose ironic novel in verse, A délibábok hőse (1873; "The Hero of the Mirages"), is representative of the mood of disillusionment.

With only one album left in their record contract and with commercial response to Wild Mood Swings and the Galore compilation lacklustre, Smith once again considered that the end of the Cure might be near and thus wanted to make an album that reflected the more serious side of the band.

How do you put that in a mood-lit commercial?

Two weeks before Italians vote for a new prime minister, the best indicator of how the race is going is not polls (unreliable at best) or television campaign commercials (banned), but the mood of the candidates.

And when Blur begin with "Girls and Boys", the slick pop single about "love in the '90s" which kick-started their commercial rule, an adrenalised, punky mood of celebration dominates at first.

In practice, the response turned out to be a little more complicated — some angry political documentaries and earnest wartime melodramas made it into movie theaters during the Bush years, and a lot of commercial spectacles arrived somber in mood and heavy with subtext— but such exceptions did little to dent the conventional wisdom.

Avoiding commercial formulas and whipped-up moods isn't enough to make a work of art.

Instead of zeroing in on a commercial message, Cimino here elicits moods of a soul-stirring, bone-deep intensity, the most intimate perceptions of the big world's vast resonances.