Sentence examples for commemorative work from inspiring English sources

At a time when few major contemporary artists are creating commemorative work, the commission of Mr. Fischl is unusual.

The official reason for not including the commemorative work in Mr. Maazel's first concert was lack of rehearsal time.

However, problems have occurred when the commemorative work has not been sufficiently skilled and imaginative, or when the independent artistic project has not been properly planned, or added only as an afterthought.

And next month, the orchestra will present a commemorative work of its own.

Originally they offered the commission to a local sculptor, Militsa Petrascu, who had recently completed another commemorative work in the town.

In 2001, working with two other bodies that also approve the design and location of commemorative works, the United States Commission of Fine Arts and the National Capital Memorial Advisory Commission, the planning commission developed a master plan that proposed a no-build zone on the Mall, enacted by Congress in 2003, and identified 100 sites elsewhere in the city for new museums and memorials.

These days, as the venerable and much-loved master of the queen's music, the 77-year-old Mr. Davies — Max to his friends — is the dean of British composers, writing symphonies in the grand tradition and fulfilling the terms of his royal appointment with commemorative works for state occasions.

The first stop is a statue of Longfellow's heroine outside the visitor centre, forlornly gazing over her shoulder at the church behind her, an open-to-the public memorial with many commemorative works of art and fascinating artefacts, including a replica of the ledger that lists all who were deported.

UCLA professor Paul Von Blum places the sculpture in the category of late 20th and early 21st century contemporary American public political artwork in the tradition of commemorative works throughout the United States, calling the work "a powerful warning about the continuing dangers of nuclear war".

UCLA professor Paul Von Blum places Conrad and his sculpture in the category of late 20th and early 21st century contemporary American public political artwork, calling it "a powerful warning about the continuing dangers of nuclear war", in the tradition of American commemorative works about disturbing events.

When it was unveiled, the South African War Memorial was one of only two public equestrian sculptures in the country (the other being a depiction of Saint George and the Dragon at the National Gallery of Victoria), and the only commemorative equestrian work.