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Rocket men, on BBC radio, Radio Luxembourg and in the Eagle comic, meant Dan Dare and Jet Morgan – recycled Biggles and Battle of Britain pilots.
With a speechwriter meant to be entertaining and a comic meant to be a pundit, no wonder nothing enlightening or funny emerged about tax cuts.
He's incredulous that The Guardian's Amanda Meade ever dared ask him what his comic meant.
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Framing the story as a minstrel show, while subversivsely comic, means that derogatory language and blackface are part of the action.
I feel like everything you put into a comic means something, it's a blank page.
The psychiatrist Fredric Wertham got things about as wrong as can be when he argued, in "Seduction of the Innocent" (1954), that the fact that prisoners and juvenile delinquents read "crime comics" meant that comics were causing, or at least stoking, their criminal tendencies.
("The main cover image was a fever dream of bedlam"). So is the blossoming of subcategories like the "narratives of young women assaulted by 'weird menaces' (that is, those with otherworldly methods of removing their victims' garments)" or category-melding titles like "Cowboy Love". Even the Sunday-school comics meant to counteract the sordid ones are examined for their over-the-top exuberance.
Just to say 'Lichtenstein and the comics' means nothing.
The lower word count of comics means you can spend time soaking in the carefully thought-of art that accompanies the text.
Having two careers, fine art and comics, means I need to balance things carefully.
Playing the Garden, the big brass ring for stand up comics, means one thing.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com