Sentence examples for colour outputs from inspiring English sources

Results have shown that the digitised primary colour outputs can be abstractly related to various emanating radicals in premixed CH4 + air and C2H4 + air flames.

Beyond the use of smartphones to capture images, the digital camera has functionality to act as a colorimeter, where the field of view is converted to several quantified colour outputs that can be utilised by anyone interested in citizen science.

The fluorescence images were displayed in green and red 'false' colour output and electronically combined to visualise colocalisation in yellow.

Another approach is the use of a specifically designed software for quantification of the colour map output [117], achieving area under the ROC curve values of 0.75 for the diagnosis of F ≥ 2, 0.73 for the diagnosis of severe F ≥ 3 and 0.69 for the diagnosis of cirrhosis.

Developed membranes were imaged with a Hewlett Packard Scanjet 5590, connected to a Dell Optiplex Computer with the following parameters: output type, true colour (24 bit); output scale, 100%; output resolution, 2400 dpi; sharpen level, extreme; scan form, scanner glass; highlights, -100; shadows, -100; and midtones, -100.

While these and other experiments achieved some success, it was not until later in the century that colour dominated photographic output and was incorporated into daily newspapers.

Niall Deacon of the Max Planck Institute for Astronomy in Germany, a co-author of the study, said the latest find was particularly useful because the planet seemed to be of a very similar mass, colour and energy output to directly-imaged planets around stars, which are difficult to study because the star simply outshines the planet of interest.

The important observation from the data in Figure 3 is that using solar elevation information to influence the interpretation of the outputs from colour constancy algorithms might improve the results obtained.

The outputs are colour coded kinetic graphs.

New York artist Liza Lou has turned that history on its head, riffing on the planes of colour that characterised the output of one of the movement's stars, Barnett Newman.

The microsurgical findings included the macroscopic structure of the lesion before surgical excision; the characteristics of the compressing material (colour, transparency, texture, and output pressure); the localisation of the lesion and the specific relationship with the longitudinal ligament; the presence of epidural haematomas; and the macroscopic appearance of the spinal cord.