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With the more modern forms of colour film introduced in the early 1930s, opaque paints and coloured inks could be used on the cels.
Negative colour films are similar, but the couplers are often already coloured yellow or red or both.
Most modern colour films are based on subtractive synthesis.
Makeup charts indicated the correct colours to use for each type of colour film.
Colour film reacts to all hue and tone differences, including the prevailing light colour.
They do this in a similar way to that of colour film.
In the late 1970s Callahan became interested in the aesthetic possibilities of colour film.
Negative colour films are practically all of the substantive-coupler type.
"Universal" amateur negative colour films are usable with any light, from tungsten to daylight.
Most colour films use a standard processing sequence and chemistry (usually available in kits).
North West Mounted Police (1940) was DeMille's first colour film.
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