Sentence examples for color divisions from inspiring English sources

In others, figural references are more ambiguous, as in "Mantra I" and "Mantra II" (1991-92), two verticals with horizontal color divisions running down them, like samples from a paint chart.

Perhaps the day will come when all those of us who have been negatively affected by racial hatred will form multiracial and multiethnic coalitions in the fight against all color divisions.

Just as Tarantino labored to represent realities about slavery that get short shrift in traditional Hollywood fare, like class and color divisions among slaves, McBride painstakingly includes historical detail: a meeting with Harriet Tubman, Douglass's eventual split with Brown, the influence of Caribbean maroons on the white man's thinking.

The cloak-and-dagger remains: Workers in the coloring division are not permitted inside the cutting division, for example.

Some might agree with the Tate that the work, Doris Salcedo's "Shibboleth," concerns "the divisions between creed, color, class and culture that maintain our social order, precariously balanced as it is on the precipice of a chaotic void of hatred".

The map contrasts dramatically with commercially made maps, which were saturated with color, county divisions and other distractions.

The company also took a pretax charge of $27 million for research and development costs associated with its acquisition of Tektronix's color printer division.

Only about half of his book, Oratorum sententiae divisiones colores ("Sentences, Divisions, and Colors of the Orators and Rhetoricians") survives; a 4th-century epitome preserves some of the rest, including two more prefaces, giving lively sketches of the persons whom he quotes.

And for several years, tour guides have been carrying visitors to see the curbs and street lamps painted in the colors of division: the Union Jack colors of red, white and blue for the Protestant neighborhoods, the Irish colors of green, white and gold for the Catholic.

His work, aesthetically uneven but always making extravagant use of modest resources, offers a fascinating window into black America in the years between World War I and the beginning of the civil rights movement -- a world of class division, color consciousness, striving and heartbreak that seems at once remarkably vivid and lost in time.

"In the Omnibus" (1890-91), a drypoint and aquatint from that series, is a rare outdoor scene that shows two women and a child — and the flat application of color and sharp divisions of space familiar from Japanese woodblock prints.