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At a Frick Collection concert the other day a man noticed in front of him an especially engrossed woman, who was wearing what he took….
At a Frick Collection concert the other day a man noticed in front of him an especially engrossed woman, who was wearing what he took to be a hearing aid.
MAVERICK CONCERTS Aug. 25 at 6: The Rossetti String Quartet, fresh from its Frick Collection concert, performs quartets by Haydn (Op. 20, No. 5 in F Minor), Mozart, and Dvorák.
The New Yorker, May 1 , 1965P. 39 At a Frick Collection concert the other day a man noticed in front of him an especially engrossed woman, who was wearing what he took to be a hearing aid.
(Schweitzer) Anna Vinnitskaya (Sunday) The 75th anniversary season of the Frick Collection Concert Series opens with the Russian pianist Anna Vinnitskaya, who offers a program of Debussy's "Suite Bergamasque" and "L'Isle joyeuse," Prokofiev's Sonata No. 2 in D minor, and Chopin's complete Ballades.
By Fritza Bullwinkel and Burton Bernstein The New Yorker, May 1 , 1965P. 39 At a Frick Collection concert the other day a man noticed in front of him an especially engrossed woman, who was wearing what he took to be a hearing aid.
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Dec. 10 at 7 30 and Dec. 12 at 5: Two extraordinary guests — the violinist Daniel Hope and the lutenist Paul O'Dette — join the Society for its "Baroque Collection" concerts, which this year offer concertos and other works for strings by such composers as Telemann, Vivaldi ("La Follia" and the Mandolin Concerto in A Minor), and Bach (the Double Concerto).
Once again the Frick Collection's concert series presents the New York debut of a group that is well regarded in its native country.
And he stayed a step ahead of tastes and trends, ushering in Latin music when he saw Miami's population shift, building a renowned classical collection, selling concert tickets, hosting artists, and then adding movie rentals when necessary.
Oct. 11 at 7: Alan Pierson's groundbreaking virtuoso ensemble Alarm Will Sound offers "The Permanent Collection," a concert featuring not only works by Adès and Ligeti (the refulgent Chamber Concerto) but also music by Ives and, surprisingly, Wagner ("Siegfried Idyll").
Followers of these farout Oregon rockers might have noticed them straying into more coherent, songwriterly territory on their last album, but this new collection of concert recordings and radio sessions steps firmly back into the realm of the thoroughly weird.
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