Film Socialisme is a collage of texts, musical phrases and still and moving images, and Godard's conception of essay cinema, comparable to Chris Marker, is brought yet further into alignment with the new generation of video artists – it could be the nearest thing we'll see to a kind of installation or installation crossover piece in cinemas.
Dickinson almost surely would have read "The Memoirs of Margaret Fuller Ossoli," a biographical collage of texts by Fuller, and reminiscences about her by members of her circle, that was edited by Fuller's friends Ralph Waldo Emerson, James Freeman Clarke, and William Henry Channing.
(Cotter) ★ Thomas Hirschhorn: 'Timeline: Work in Public Space' (through Nov. 3) Running concurrently with his installation at Gladstone Gallery, Thomas Hirschhorn's "Timeline: Work in Public Space" is a dense collage of text and photos that guides you through Mr. Hirschhorn's public artworks.
(Rosenberg) ★ Thomas Hirschhorn: 'Timeline: Work in Public Space' (through Nov. 3) Running concurrently with his installation at Gladstone Gallery, Thomas Hirschhorn's "Timeline: Work in Public Space" is a dense collage of text and photos that guides you through Mr. Hirschhorn's public artworks.
This little-known photograph appears in a collage of text and images that is part of "Fugitive Artist: The Early Work of Richard Prince, 1974-1977" athehe Neuberger Museum of Art in Purchase.
The Polish director, a regular visitor to Avignon over the past decade, creates a collage of text from Aeschylus's Oresteia and Euripides's Alcestis and unlikely sources such as JM Coetzee's Elizabeth Costello to examine the idea of sacrifice.
(Smith) ★ Thomas Hirschhorn: 'Timeline: Work in Public Space' (through Nov. 3) Running concurrently with his installation at Gladstone Gallery, Thomas Hirschhorn's "Timeline: Work in Public Space" is a dense collage of text and photos that guides you through Mr. Hirschhorn's public artworks.
At Dia his "Timeline: Work in Public Space" is a dense collage of text and photos that guides you through Mr. Hirschhorn's public artworks; it's a prelude to his "Gramsci Monument," a Dia project in the Bronx that's slated for summer 2013.
Atypical of traditional operas, there's no singing in Italian, the set and costumes are minimalistic, and the audiovisual composition of the show is a collage of text from Twitter feeds, cable news reports, chat transcripts, and classified military video.
Schechner's theatrical experiments, inherited from the Polish director Jerzy Grotowski, included the use of psychophysical conditioning exercises for actors, the "collaging" of texts, and the shaping of theatre space.
The book intersperses its vignettes with tiny sepia collages of text, fingerprints, and crime-scene-like shots that function as peepholes into grief.
