Sentence examples for collaborator composed from inspiring English sources

(He created the story and characters and was one of the producers; Caroline Thompson, a frequent Burton collaborator, wrote the screenplay; Danny Elfman, another collaborator, composed the music; and Henry Selick, a former Burton classmate, directed).

Michael Giacchino, Abrams' most frequent collaborator, composed the music for Star Trek.

Michael Giacchino, Abrams' frequent collaborator, composed the music for the pilot of Fringe, before handing over duties to his assistants Chad Seiter and Chris Tilton Tiltonn took over scoring duties from Season 2 onward.

"I'm so proud of the cast of collaborators composed for this album," he wrote upon sharing the news.

But Arthur Penn is not a writer-director like Bergman or Fellini, both of whom began as writers, and who (even though Fellini employs several collaborators) compose their spiritual autobiographies step by step on film.

"That was the whole secret of Krzysztof," I was told after his death by Zbigniew Preisner, a close collaborator who composed the music that became such a salient feature of Kieslowski's best-known works.

Michael Galasso, a frequent Wilson collaborator, has composed a score in which a string quartet playing on Baroque instruments is computer-mutated to grow more and more plaintive and unsettling, and a Japanese koto is both accelerated and slowed down to approximate the sound of the totemlike music box in Fellini's film about mechanized sexuality, "Casanova".

Longtime Spielberg collaborator John Williams composed the music score of War of the Worlds.

According to D'Amour and collaborators, collaboration is composed of two key elements: the construction of a collective action that addresses the complexity of client needs, and the construction of a team dynamic that integrates each professional's perspective and in which team members respect and trust each other [ 10].

Longtime Spielberg collaborator John Williams, who composed the film's musical score, described the challenge of creating one that would generate sympathy for such an odd-looking creature.

Kentridge worked with science historian Peter Galison researching the piece, and collaborators Philip Galison, who composed the score and designed its soundscape, and Catherine Meyburgh, who edited the video.