Sentence examples for collaborative forms from inspiring English sources

The term 'commissioning' creates a colder mindset: The problem I have with the word 'commission' is that in my view it means by definition 'arms-length', rather than more collaborative forms of sourcing.

"We have so many resources in circulation which aren't being used to the best of their ability, says Shea, "we need to move towards more collaborative forms of consumption.

Collaborative forms include partnerships, alliances and joint ventures.

Under dispute is whether collaborative forms of planning augment social capital or whether they might actually cause the destruction of such a valuable social commodity.

This translates to the online principle "publish first, filter later" which has been coined by the author Clay Shirky [44] with regards to the structures of new collaborative forms of knowledge generation.

By way of these original CCAs, collaborative forms of wildlife conservation and resource management have thus been integrated into the modus operandi of the SNNR's Suojia station, one of the first operational field stations in one of the largest nature reserves in the world (SNNR's total area is 152,300 km2) (Figure 5).

The paper then compares the features of the various types of collaboration and recommends the most appropriate collaborative form, which appears to be the strategic alliance.

Some of it worked very well, and the collaborative form gave a sense of the different parties responding to and subverting developments in the narrative.

BongHwan Kim, a Korean-American who is executive director of the MultiCultural Collaborative, formed after the 1992 unrest, said Asian-Americans, who are 10percentt of the population of 3.3 million, continued to have problems with police brutality.

One can understand the temptation to let Mr. King's imagination roam, but for a delicate, collaborative form like the musical, a simpler, streamlined narrative might have made more sense.

The revolutionary lesson of "Einstein," Mr. Sellars writes, was that opera "was not only not dead, or about the dead, or for the dead; it was alive as the collaborative form of choice for our interdisciplinary, intercultural, interdependent generation".