Some participants described the CTO as part of an integrated sequence of coercive interventions based on persuasion, pressure, threats, and use of force as a means of control.
I figured it was going to be sexist trash, and I was partially right: Food Wars' women are drawn in hypersexual ways (there's more T & A in there than most anime I've ever seen) and respond to delicious food with those clothes-flying-off dream sequences, and while the sexual sequences are never coercive (which is more than you can say for most anime), I was still like, come on, guys, really?
Thus Φ is coercive on E. By the coercivity of Φ, a Palais-Smale sequence { z n } of Φ must be bounded.
But, even before they've met, Chazelle has slathered the movie with his coercive version of charm: a massive dance sequence for the drivers stuck on the freeway, emerging from their vehicles, young and old alike (but almost all young), to leap and twirl between and atop cars in one gliding and swivelling long take.
The existence of a bounded minimizing sequence appears, when the functional I is coercive, i.e. I ( u ) → + ∞ as ∥ u ∥ → + ∞.
we know that F u) is coercive, i.e., Then, there exists a minimizing sequence such that.
The existence of a bounded minimizing sequence will be in particular insured when φ is coercive, i.e., such that φ ( u ) → + ∞ if ∥ u ∥ → ∞.
In critical point theory, Clark's theorem [16] asserts the existence of a sequence of negative critical values tending to 0 for even coercive functionals.
As pointed out earlier, receptivity of organizations is conceptualized as variability in the rate, sequencing and pace of changes adopted in response to coercive, normative, and mimetic environmental pressures.
In fact, for any minimizing sequence ({varphi u_{m})}), if ({u_{m}}) is unbounded, then φ to be coercive implies that (varphi (u_{m})rightarrow+infty), which is a contradiction.
