Sentence examples for code rendering from inspiring English sources

Programs for Windows, when downloaded through the malicious node, were silently wrapped in malware, malicious code, rendering them dangerous to any computer running them.

Parliamentarians are debating laws "that essentially aim to destroy the criminal procedure code, rendering DNA's efforts impossible," says Laura Stefan, who studies anti-corruption policy at Experts Forum, a Bucharest think-tank.

By using filters, an attacker can conceal the malicious JavaScript code, rendering it undetectable or unreadable.

What happens is that when people with non-Japanese Xbox Live Gamertags try to play the demo perhaps they downloaded it?—XBL, in the words of WorthPlaying, "actively corrupts the demo code rendering it completely unplayable – even in offline mode".

The time it takes me to complete any given piece is difficult to quantify because I frequently work on a bunch at a time and there are also lots of overlapping phrases of production involved: writing code, rendering / processing files, 3D printing and painting / composing.

Diagnoses were made using International Classification of Disease-10th edition codes rendered by treating physicians.

There are three basic career tracks: programming the code, digitally rendering the artwork, and designing the features and game play.

Although the hoxb7a gene of Astatotilapia burtoni was identified and annotated without problems, the coding sequence contains a stop codon at the beginning of the coding sequence, rendering it a pseudogene.

To talk about "Scott Pilgrim" this way, though, is like trying to explain the appeal of a video game by describing the software code that renders the physics of the imaginary world.

A FOUR-YEAR battle ended yesterday, when Singapore's highest court upheld the constitutionality of Section 377(a) of the country's penal code, which renders any man convicted of committing "or abet[ting] the commission of...any act of gross indecency" with another man liable to two years in prison.

It analyzes the early photo spreads on jazz in Life magazine, as well as the writing and the layouts; the development of bebop, with its own visual code, as rendered by the jazz press; and the diverging looks of late-1950s jasz asuggesteded by album covers released by independent labels in New York and Los Angeles.