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The main object in this clip consists of multiple colors and motion that is difficult to model accurately (there is some movement of the neck and head, while the body remains mostly stationary).
Completely set in spatial modeling software, the "Calisto's Running" clip consists of a series of geometric object studies that look reminiscent of an iPhone puzzle game.
The clip consists of an extended shot of a car, which flickers slightly with "otherworldly effects" while a "slinky soul tune plays in the background".
Instead of relying on an evolving storyline, the clip consists of a set of surreal recurring images linked together by free-association which serve to highlight the song's elliptical style.
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Each clip consisted of two parts shot from different camera angles.
Every video clip consisted of the following sequence: T0: movie onset, T1: hand-object interaction followed by T2: end of movie.
Every video clip consisted of the following sequence: a fixation cross (150 ms), an object without context or an object within two different contexts (T0; 500 ms), and a hand-on-object action with or without contexts (T1; 2000 ms; Figure 1B).
Each movie clip consisted of 26 frames recorded at a frame rate of 25 frames per second (i.e. 25 Hz).
The second part of the clip was between 1.2 and 6.3 seconds long.4 Clips consisted of 14 kick-offs, 5 corners, 13 throw-ins, and 8 free kicks.
For each mood type, 30 clips and 10 clips consisting of different songs were used for model training and evaluation, respectively.
This experiment was based on the evaluation of 6-s video clips consisting of a talker's upper body (two males and two females).
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