Sentence examples for climax around from inspiring English sources

And the show still builds to a climax around their coed Catholic boarding school's production of "Romeo and Juliet".

And because "Eat Pray Love" builds its climax around this question, does that mean, in the end, that it reverts to the man-centric romantic-comedy formula?

And it's reaching a climax around now, because the first releases on the university's own record label, C3U Records, are due to go on sale this month.

Currently the talk of international music circles as the pilgrimage du jour, it builds to its climax around 7 30 a.m., sometimes including as many as 20,000 revelers.

Memoirs often build to a climax around moments of grand professional recognition, but Feiffer ignores the fact that he won an Obie for his theater work in 1969, and the references to his winning an Oscar for a film short in 1961 and a Pulitzer for his cartooning in 1986 are dropped like paper napkins into the narrative.

The shape would be like that of a growing double wave with a tremor of genesis in the voice of a child in 1966, before bellying in both directions at its widest point to create a climax around the disaster of depth, height and weight, then a gradual reduction and focusing to a single, final voice in the present.

By the time its clunking climax rolls around, the film has built up enough honest good will that you can forgive its tear-jerking pomp.

Unfortunately football does not accommodate such a possibility and so, after Tottenham's late equalising goal, there was briefly an air of anti-climax around a previously vibrant stadium.

Then he crouches on one knee for "Somewhere Over the Rainbow", quietly bereft when he first sings, of reaching the song's free places, "why can't I?" Then he explicitly demands the freedom gay listeners implied in Judy Garland's original, as the Sinfonia climaxes around him.

It's music that's firmly set on a sea of instability, if that's not too paradoxical; and the implicit tension in the music's emotional and harmonic worlds produces some ear-shattering and heart-breaking climaxes, around two-thirds of the way through, and the monumental procession of pain that marks the end of the movement.

The choreography starts off as little more than a slow evolution of balances, but the two dancers find the richness in the music and, as it gears up to its climax at around 1.30.00, they make an immaculate transition into the fiendishly difficult manoeuvre where Yoshida is lifted high on Cope's shoulder and spirals down his body into a low dive.