Sentence examples for clean rhythm from inspiring English sources

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Borrowing from all over the place, the band evoked several generations of FM-radio rock, from the Beatles to glam to punk, with tireless speed and clean rhythm.

Hynes likes to ride a heavy mid-tempo beat, sneak in low, sweet keyboards, and sketch out the chords with a choked, clipped guitar sound that recollects the impossibly clean rhythm guitar of the Chic founder Nile Rodgers (a sound that dominated radio in 2013, on Daft Punk's "Get Lucky").

His quintet music is, for me, as good as he gets; this set, with his current quintet (including the pianist Dan Nimmer and saxophonist Walter Blanding Jr). was a set of casual assurance, incredibly clean rhythm, and a constant sense of play.

This album abounds in unabashed sentimentalism, nasal singing, lyrics preoccupied with booze, religion, and love gone bad, and stereotyped Nashville instrumentation (twangy steel guitars, fiddles, and a clean rhythm section characterized by the minimal use of bass drum and cymbals, both of which gain heavy mileage with rock performers).

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She's justifying the role of bassist as bandleader, starting the tunes, pushing the band, delivering clean, strong rhythm and melody.

His career was overshadowed by that of his bass-playing younger brother, William Bootsy Collinsns, who became (and remains) an icon of 1970s African American popular music, but this suited Catfish, whose clean, driving rhythm guitar playing perfectly fitted the sideman's role.

His Iliad and Odyssey (1793), Aeschylus (1795), and Dante's Divine Comedy (1802) soon became widely known and, with their clean linear rhythms, contributed much to the spread of Neoclassicism in England.

Mr. Charles likes jazz that's crisp and ambitious but never unruly, powered by clean and swinging rhythm, harmonically coming out of the mid-1960s.

He's not a racer: he lets the tempo pull him, and his rhythms are clean.

In America the sharp lines, clean textures and assertive rhythms of neo-Classicism allude more strongly to the construction of a still-young country and a native idiom.

The rhythms are clean, repetitive in the marching band sense, and seductive but acceptable, probably, to even to the most mannered listener.

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